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With this book, Thomas Crow contributes a refreshing analysis of the present state of art history, the practice of interpreting art and making it intelligible. He aims to relocate the discussion of theory and method in art history away from models borrowed from other disciplines by presenting what he considers three of the most successful and challenging works in the literature of art history: Meyer Schapiro on the Romanesque portal sculpture of the abbey church of Sainte Marie in the French town of Souillac, Claude L?vi-Strauss on the Native American masks of the Northwest C
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